Media language is the ability to communicate
media texts through language analysis. It is the way in which the meaning of a
media text is conveyed to the audience, so they can encode and decode the text,
through the use of signs and symbols as well deconstruct text through camera,
editing, sound and mise en scene. I was instructed to make a music video to a
song of my choice, of which I chose ‘Youth’ by Daughter. I created a narrative
around the theme and tone of the song, and it includes a girl wearing a mask
who is travelling to London to find emotional freedom, however, she then
travels on to Brighton beach, whist having flashbacks of her past relationship.
Symbols such as the mask was a very clear way of giving the audience a way to
decode the media language and understand why the character feels so lost and
confused without having to be so literal about it.
Saussre was the founder of semiotics, he
developed the concept of sign, signifier and signified as well as stating that
everything has meaning. In my music video the sign was the setting I chose to
film parts of the video in, the signifier was the beach and the juxtaposition
between the beach and London as theses were the places I filmed, and the
signified was the meaning behind the beach location. The seaside was a key
setting due to its lonely, isolated, yet freeing and calming atmosphere. The
vast land and sea portrays a tranquil and open feeling coupled with the
contrasting tones of loneliness. This setting juxtaposes the busy London
streets, the binary oppositions of stillness and chaos sub textually symbolise
the apparent isolation from the main character. The ways in which the mise en
scene so violently contrasts suggest a sense of loss and confusion. The
audience’s relation to such signifiers could be that they recognise how the
protagonist is feeling through the visual imagery, to deduce the emotion as the
wonders alone amongst people yet is free on her own. The audience could take
from this the importance of portraying emotion through location in a subtle
way.
Laura Mulvey is also a key theorist; she
explains how camera work and the idea of the ‘Male Gaze’ can objectify females,
creating gender inequality. The main prop in my video is a mask that covers the
protagonist’s face and her face is never revealed. This could symbolise a sense
of hiding who she is, all her femininity and personality is hidden by an
emotionless mask. The audience may relate or understand the characters need to
cover up as it is a very directly visual way of conveying that she is purposely
hiding her features. However, from Mulvey’s point of view it could be argued
that the mask does still draw attention to the over sexualised features of her
face due to the male gaze and societies need to sexualise certain features such
as the eyes and lips as these are still visible even with the mask on. In the
video there are many close ups of the subjects face with the mask on,
therefore, this could be seen as a way of purposely attracting attention to
these certain features of her face. There are also low angle shots that pan up
from the subjects feet to her face, Mulvey would state that this is potentially
a provocative shot to sexualise the character, although, many people could
counter Mulvey and argue that the close ups and low angle pans do not need to
be over analysed that much to be seen as sexual. Seeing as the mask has
connotations of concealing or hiding and putting on a fake front to distract
others from what’s underneath, the audience could recognise this and see the
mask as a symbol for covering who you are so you can face people in public and
try to get over a bad memory.
Overall, media language and the theorists
that are within the theory is a key way of analysing text using signs, symbols
and camera work. There are many symbolic images in my video such as the mask
and the location which can be analysed and denotated by the audience through
theorists such as Mulvey and Saussre. The finished product has symbolic imagery
that the audience can relate to and use it as a subtle way of understanding
both the character’s emotions and feelings, and the narrative.
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