Budget - $15 million
Box office/gross – £36 million
Filming – 15th July –
September 2013
Director: Alex Garland
Writer:
Alex Garland (28 Days Later)
Actors: Domhnall
Gleeson, Oscar Isaac, Alicia Vikander
Producer: Scott Rudin (executive)
Ex Machina was released in the United Kingdom
on 21 January 2015 through Universal Pictures. The film screened on 14 March
2015 at the South by Southwest festival prior to a theatrical release in the
United States on 10 April 2015 by A24 Films.
Ex Machina tells the story of a programmer
who is invited by his employer to administer the Turing test to an android with
artificial intelligence. Nathan has built a humanoid robot named Ava
with artificial intelligence. To program her behaviour, he harvested personal information
from billions of Bluebook users, using their search queries as indicators of
human thought, and hacked billions of cell phones for recordings of human
expressions and body language. He wants Caleb to administer the Turing test to
Ava, a test designed to measure an AI's ability to persuade the tester it is
human. Caleb points out that this is not a fair test, as he already knows Ava
is an AI; Nathan responds that Caleb must judge whether he can relate to Ava
despite knowing she is artificial.
6 weeks to film, but post production took 6 months, no
green screen.
Meanings:
Deus Ex Machina – “God from the machine"
1. (in ancient Greek and Roman drama) a god introduced
into a play to resolve the entanglements of the plot.
2. Any artificial or improbable device resolving the
difficulties of a plot.
Postmodernity:
Artificial Intelligence - ‘The
sad thing about artificial intelligence is that it lacks artifice and therefore
intelligence.’ – Jean Baudrillard. Ava’s suit/whole concept of film.
Uses Baudrillard’s idea of hyper
reality, simulacra, illusion of what is real.
Very small cast, all set in one
place/location that is very modern, colour scheme, chromes/monochrome and red.
Intertextuality, similarities between
Nathan (Oscar Isaac) and ‘Apocalypse now’ colonel walter e. Kurtz. Both
isolated themselves geographically and psychologically, both see themselves as
a kind of ‘God’. Blade Runner, testing consciousness, self aware AI, contrasts
aware of Ava’s AI and Unawareness of Rachael’s AI.
Protagonist is questioned, argued it
could be Caleb but it shifts throughout.
Asks questions beyond the basic questions about
AI, such as: Where does gender reside? Is gender something that’s in
consciousness or is it a physical thing? Or is it something that’s conferred on
you by other people?
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